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Greg (a never-better Channing Tatum) was a bully and a popular numskull. Back in the ’90s, Morton (played by the-ahem- Oscar-nominated Jonah Hill) was a sexless, metal-mouthed outcast at his high school. The new 21 Jump Street moves the focus to rookie-cop duo Morton Schmidt and Greg Jenko.
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The big-screen version succeeds precisely because it ditches any trace of late-’80s nostalgia and reinvents the series with different characters and a completely different style. It’s just that a reboot of a show so thoroughly enshrined by its cult following seems inherently unnecessary. There’s nothing wrong with the original series it truly was a hip, socially aware police procedural for disaffected Generation X-ers.
It’s also known for launching the career of Johnny Depp. The series revolved around a multicultural squad of twentysomething officers who went undercover at high schools and youth hangouts to investigate drug trafficking and hate crimes.
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You psyched?” the natural response would have been, “I’d rather watch molasses bake on a hot sidewalk.”įor the uninitiated: The movie is an adaptation of the identically named crime drama that aired on Fox between 19. A year ago, if somebody had walked up to you and said, “Yo, dawg, they’re remaking 21 Jump Street. For starters, the fact that it is good is in itself a minor miracle. A stunning indictment of the age we live in.īut seriously, 21 Jump Street actually is impressive in a surprising number of ways. The perp-in shock-frantically attempts to pick his derelict dong off the ground, using only his teeth.Įnthralling cinema. Meanwhile, a penis lies disengaged on the pavement, looking like a rumpled, dehydrated old sausage.
The buddy-cops cuff him, taunt him, happy-dance around him, and boisterously read him his Miranda rights. He squeezes the trigger and blasts a hole right through the man’s dick. One of the cops takes careful aim, stiffens his posture, and drops a punchy catchphrase for justice: In an act of desperation, the criminal presses his pistol to the temple of a hostage. It took a messy, protracted car chase through the streets of LA-and a yachtload of ammo and stunts-to do it, but they got their man dead to rights. There’s a scene in this film where decades of moviemaking magic-from Balked at the Altarto Pocket Monsters: Mewtwo’s Counterattack-crystallize into one dynamic, surefire gag: Two undercover narcotics officers finally corner a drug-dealing madman.
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